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More Current Drama DVDs....Page One
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In Road to Perdition, Tom Hanks plays a hit man who finds his heart. Michael Sullivan (Hanks) is the right-hand man of crime boss John Rooney (Paul Newman), but when Sullivan's son accidentally witnesses one of his hits, he must choose between his crime family and his real one. The movie has a slow pace, largely because director Sam Mendes (American Beauty) seems to be in love with the gorgeous period locations. Hanks gives a deceptively battened-down performance at first, only opening up toward the very end of the film, making his character's personal transformation all the more convincing. Newman turns in a masterful piece of work, revealing Rooney's advancing age but at the same time, his terrifying power. Jude Law is also a standout, playing a hit man-photographer with chilling creepiness. This movie requires a little patience, but the beautiful cinematography and moving ending make it well worth the wait.
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The third installment in the cinematic incarnation of Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding, and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Red Dawn), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. The DVD release has a widescreen presentation, theatrical trailer, closed captioning, optional French soundtrack, and optional Spanish subtitles.
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A refreshing and honest portrayal of adolescent Catholic boys. The Dangerous Lives of Altar Boys follows Tim (Kieran Culkin) and Francis (Emile Hirsch) as they engage in aimless vandalism and mockery--not from malice but boredom. Sadly, the theft of a religious icon and a plan to kidnap a cougar result in far more serious consequences than either boy intends. The authenticity of the characters and dialogue make the movie work; both script and performances are genuine and consistently surprising. Jena Malone, as a troubled girl who gets involved with Francis, is particularly good, but the whole cast (which includes Jodie Foster and Vincent D'Onofrio) does excellent work. In capturing both the harm and the good that teenagers can do, The Dangerous Lives of Altar Boys transcends the usual rebellious-kids storyline. The movie features animated segments that depict Francis's fantasy life, created by Todd McFarlane (Spawn).
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Comparisons to Dead Poets Society are inevitable, but The Emperor's Club achieves a rich identity all its own. In the honorable tradition of great teacher dramas like Goodbye, Mr. Chips, Kevin Kline is well cast as Mr. Hundert, longtime teacher of classics and assistant headmaster of St. Benedict's Academy for Boys. There he encounters a defiant student and senator's son (Emile Hirsch) who desperately needs--but ultimately rejects--Hundert's lessons on leadership, integrity, and the shaping of character. Adapted from Ethan Canin's short story "The Palace Thief," the film is conventional to a fault, its flashback structure unfolding in Hollywood shorthand. But its noble sentiments remain potently intact, allowing Kline a performance of great emotional nuance while imparting lessons of universal value. "This is a story with no surprises," as Hundert says, but The Emperor's Club may surprise you with its admirable portrait of a life well lived.
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Writer-director Pedro Almodóvar makes another masterpiece with Talk to Her, his first film since the wonderful All About My Mother. Marco (Dario Grandinetti) is in love with Lydia (Rosario Flores), a female bullfighter who is gored by a bull and sent into a coma. In the hospital, Marco crosses paths with Benigno (Javier Camara), a male nurse who looks after another coma patient, a young dancer named Alicia (Leonor Watling). From Benigno's gentle attentiveness to Alicia, Marco learns to take care of Lydia... but from there, the story goes in directions that deftly manage to be sad, hopeful, funny, and creepy, sometimes at the same time. The rich human empathy of Almodóvar's recent films is passionate, heartbreaking, intoxicating--there aren't enough adjectives to praise this remarkable filmmaker, who is at the height of his powers. Talk to Her is superb, with outstanding performances from all involved.
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"Nothing is as it seems" in The Recruit, a guessing-game thriller that employs plot twists and conflicting loyalties as its primary raison d'ętre. Surrounded by potential deception, a newly recruited CIA officer (Colin Farrell) must determine if his manipulative instructor (Al Pacino) is being honest when he identifies Farrell's fellow recruit and love interest (Bridget Moynihan) as an enemy "mole" assigned to steal a dangerous computer virus from CIA headquarters. While claiming to offer an insider's look at CIA training methods, this engrossing yet ultimately predictable plot is pure Hollywood fantasy; any resemblance to reality is purely coincidental, leaving the perpetually unshaven and scruffily coiffed Farrell to fend for himself in Pacino's cynical arena while tracing his familial roots in the spy game. Wearing its cleverness on its sleeve, The Recruit is an adequately elaborate puzzle of perceptions. "Everything is a test," as Farrell soon realizes, and attentive viewers will enjoy piecing it all together.
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