A relationship between two brothers literally becomes a matter of life and death in this drama from writer, director and actor Edward Burns. Francis Sullivan (Burns) was a street-wise thug with ties to the Irish mob until his younger brother Sean (Elijah Wood) was killed on Ash Wednesday in 1980 while trying to protect Francis from gangsters who were out to kill him. Three years later, Francis is a law-abiding man who is trying to stay on the straight and narrow and keep his eye on Grace (Rosario Dawson), Sean's widow. However, rumors have begun to circulate that Sean's death was just a ruse fabricated by Francis and a sympathetic priest, Father Mahoney (James Handy), to get mobster Moran (Oliver Platt) off Sean's back. Some people have spotted someone who looks a lot like Sean wandering around the neighborhood, and Moran, who doesn't forget a grudge, begins scouring the neighborhood in search of Sean, while Francis has worries of his own about Sean, since his relationship with Grace has started to move beyond simple family friendship. Mark Deming
-from Barnes & Noble website

Asian American director Ang Lee sums up America in the early 1970s by focusing on the arrival of the sexual revolution in the 'burbs. Isolationism within a family, consumerism, and selfishness are personified by a cast that captures the self-obsession within two New England families. As the children struggle awkwardly with adolescence, their parents stumble through sexual experimentation. In the days of Watergate and Vietnam, society is breaking boundaries and ignoring convention. Following suit, these families are eschewing polite barriers and social taboos, with disastrous results. The "ice storm" of the title refers not only to a natural phenomenon but is a (rather heavy-handed) metaphor for a pervasive emotional temperament. The entire cast delivers textured, finely nuanced performances. This movie lingers in the psyche not only for the scope of the tragedy at its conclusion, but for Lee's often humorous and stingingly accurate assessment of pop culture. Based on Rick Moody's novel, this won the best-screenplay award at Cannes in 1997. --Rochelle O'Gorman
-from Amazon.com website

Mimi Leder (The Peacemaker) directed this science-fiction disaster drama about the possible extinction of human life after a comet is discovered headed toward Earth with the collision only one year away. Ambitious MSNBC reporter Jenny Lerner (Tea Leoni) stumbles onto the story, prompting a White House press conference. United States President Beck (Morgan Freeman) announces the government's solution: a team of astronauts will travel to the comet and destroy it. The team leader aboard the spaceship Messiah is Spurgeon Tanner (Robert Duvall), who was once the last man to walk on the moon. However, the mission fails, splitting off a chunk of the comet, now due to land in the Atlantic with the impact sending a 350-foot tidal wave flooding 650 miles inland, destroying New York and other cities. The larger part of the comet, hitting in Canada, will trigger an E.L.E. (Extinction Level Event), not unlike a "nuclear winter" as dust clouds block out the sun and bring life to an end. President Beck reveals Plan B: a cavernous underground retreat constructed to hold one million Americans, with most to be selected through a national lottery. Since teenage amateur astronomer Leo Biederman (Elijah Wood) discovered the comet, his family gets a pass to enter the cave, but his girlfriend Sarah (Leelee Sobieski) and her parents will be left behind. Meanwhile, still in space, Spurgeon Tanner devises a plan for a kamikaze-styled operation that could possibly save the Earth. Special visual effects by Scott Farrar and Industrial Light & Magic. Bhob Stewart
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James Toback's portrait of white and black culture mixing it up on the streets of Manhattan is like two films colliding. In the center of the swirl are a group of upper-class white teens (led by Elijah Wood and pop singer Bijou Phillips) who appropriate hip-hop culture to rebel against their affluent lifestyle, and a posse of gangstas and drug dealers (led by rap producer Oli "Power" Grant) who are themselves trying to get off the streets and into the business culture through their music. Aging indie filmmaker Toback has long shown an interest in character contradictions and quirks. Here the dynamic works: The two groups are genuinely curious about one another and mix with a cautious but untroubled ease. Less successful is the contrived drama that orbits this cultural mix but never quite meshes--such as Ben Stiller as a self-loathing New York cop who blackmails college basketball star Allan Houston into betraying his boyhood buddy turned street criminal. Toback spices his Altmanesque style of restless camera work and impressionistic intercutting with attitude, nervous energy, and in-your-face sex. There's an interesting story to be told here, but the provocative cultural mix gets lost in the self-conscious melodrama and only periodically roars to life, notably in the edgy, unpredictable scenes with Mike Tyson (an inspired bit of casting that works marvelously). Also featured are rapper Raekwon, supermodel Claudia Schiffer, Brooke Shields, and Robert Downey Jr. --Sean Axmaker
-from Amazon.com website