An ingenious docudrama on the Manchester music scene of the 1980s and '90s. 24 Hour Party People traces the rise and fall of bands like Joy Division, New Order, and Happy Mondays--bands whose success in the U.S. was limited, but whose impact in Europe (and England in particular) was phenomenal. It all centers around the record label that spawned these bands, Factory Records, and its impresario Tony Wilson (Steve Coogan), a man both ludicrous in his self-absorption and brilliant in his willingness to go out on a limb for bands he likes. Coogan, a British comic, gives a remarkable and deeply funny performance that manages to be simultaneously sincere and ironic. The movie communicates what was great about this time without any false majesty--the squalor and disasters are as crucial to this portrait as the wild successes. The soundtrack, of course, is superb. --Bret Fetzer
-from Amazon.com website

Set in England during the early 19th century, Pandaemonium evokes late-1960s America in its depiction of the relationship between Samuel Taylor Coleridge (Linus Roach) and William Wordsworth (John Hannah). Instead of going to Vietnam, Wordsworth goes off to fight against the French while Coleridge stays at home and promotes utopianism. After the war, the poets live and work together with Coleridge's wife, Sara (Samantha Morton), and Wordsworth's sister, Dorothy (Emily Woof). At first this communal arrangement works to the advantage of Coleridge--who does some of his best writing while Wordsworth stagnates--until Coleridge becomes addicted to opium. Wordsworth, meanwhile, doesn't find his voice until he abandons his friend. In 20th-century vernacular, Wordsworth is the yuppie, Coleridge the hippie. Director Julien Temple (Absolute Beginners) even evokes 1960s cinema with this occasionally overwrought--but often visually stunning--essay on the mysteries of creativity. --Kathleen C. Fennessy
-from Amazon.com website